Category: Technology

Facebook 3.0 delayed release

Just to get it down. While I may be completely off, I believe Apple is holding off on releasing the Facebook 3.0 update for the iPhone for a specific reason. They want it’s release it along side with iTunes 9’s new facebook social networking features.

This is probably way off especially with all the griping about apples app approval process coming from facebook this week. But we shall see. It’ll probably come out tomorrow.

Update: Guess I was sort of right…

New iPhone 3GS – Why I’ll be switching

Today, I was locked in on the live blog of Apple’s keynote at WWDC. What I was listening for was the realization of rumors that I’ve been following for 3 months now. The specific rumor I’ve been waiting for was a new iPhone handset. And today it was finally announced. The iPhone 3GS!

The are a few reasons that this particular version of the iPhone will be the one that makes me switch.

In no particular order:

  • Capacity – For the first time, the iPhone has reached a capacity that can hold my entire itunes music collection plus several movies and tons and tons of apps.
  • New camera with video – As a photographer and even more so, video editor, the iPhones new 3 mp camera is a welcome feature. Increased still image resolution and also the ability to shoot 30fps VGA video, edit it down to the exact moment you want to show, and upload it to youtube is just plain cool. Or as a buddy of mine would say, “Deluxe!”
  • iPhone OS 3.0 – Copy and paste, search, push…all features my blackberry has had and one of the biggest reasons I couldn’t make the switch before.
  • Battery life – This is just speculated as Apple generally pads their battery life numbers a bit. But it’s supposed to be better. And even currently, my long trusted blackberry curve has to be charged every other day or sometimes every day.
  • It’s an apple product – I’ve used a mac for my home computing for years and it will always be simpler from Apple product to Apple product, to sync my contacts, calendar, aswell as music and movies because of this fact.

Icing on the cake:

  • MMS (eventually)
  • Voice Control
  • Faster 7.2Mbps data connection
  • Awesome apps, that do very specific things that I need done. Like track my hours for freelance video and graphic design or tons of awesome games.
  • Fairly early release date
There is one minor but noteworthy hiccup that might keep me from switching and it’s AT&T’s network. I’ll have to research it more, but I remember when the first iPhone 3G came out and I saw some very unhappy friends of mine with iphones that just plain sucked at picking up a signal.

Formula D Media Coverage – No Cell Phone Cameras

The few times that I’ve attended Formula D events as part of the press, the officials there always stated that they want to see real deal cameras out there. This means no cell phone cameras or point-n-shoots. They have their reasons for saying that I guess. But I’m not clear on what they are and I’ve never tried to challenge them on this. I have always used prosumer/professional equipment at the events regardless. Well times are changing. Print media isn’t necessarily dying, but web media is definitely on the rise. With many of the automobile based magazines shutting down their operations, web media is the consumer’s only alternative to get the information that they crave. E-zines and blogs, like and are fast becoming the go-to outlet for drifting and other motorsports coverage.

So, how does this relate to Formula D’s media rules?

The Internet generation wants their information fast, really fast. To me, this means that technology to get that information published quickly, needs to be utilized to its fullest potential. But this doesn’t mean the coverage can lack quality. Typical equipment for shooting a Formula D event could be a digital video camera (at least something from the prosumer class) and/or DSLR. Turn around time can be quick if done correctly. Usually media, whether it be video or stills, can be posted that night, after the event. But the current trend across the Internet is moving towards real time. People want streams of video, status updates of their friends, and instant news coverage reported live, as it happens. So how do you accomplish that? New technologies/services such as Twitter, allow websites to publish short 140 character headlines and other facts in real time, as they happen. A blog can be set to import this Twitter feed along with anyone else using certain key words, such as #FD or #FormulaD. This not only allows the authors of the website/blog to contribute, but also allows anyone with a cellphone or laptop attending the event to collaborate via text, images, or URL links, current happenings from their point of view as they occur.

The future also holds a number of great things for real-time streaming media. The revolutionary Apple iPhone is set to enter its 3rd generation this summer and it promises to be quite a leap forward. Rumored specifics as to the devices capabilities include shooting video as well as an industry first, basic video editing within the device. Imagine the possibilities that this kind of tech could open up for journalists alone.

Another potential packed technology is the Eye-fi SD card. This card can auto upload photos from a digital camera via Wifi hotspot connections. Combine this with Verizon’s new Mifi 3G portable wifi router and an amazing point-n-shoot like the Canon G10 Powershot, and you can produce fantastic images and have the ability to upload those high quality photos in near real time.

On my last trip to LA for FD Irwindale, I was toting around a Canon GL2, Nikon D90, and my blackberry curve. I shot video of drift runs first, waiting for something to report on, then shot high quality stills, and then a secondary shot with my curve to post to Wrecked Magazines Twitter feed. All very important to the success of the story. A reminder though, technology is useless without the knowledge of how and when to utilize it. It is merely a tool though, you still need to be able to tell a story. That is the root of all journalism. And by no means should this new technology replace tried and true approaches and outlets. The need for a solid flow of well written articles, quality edited video and sharp photographs published or broadcast in a timely manner, will never run dry. But with the additional need to be the first on the scene with current events, it is definitely worth it to invest in another hand or person to report via these new tools.

Formula D is going to have to change the way they look at media coverage as a whole if they plan on getting the most out of it. Cell phones, as well as point-n-shoots are becoming perfectly capable for the production of the futures web-based media.

More Red News…

Jannard’s Post on�

New announcement on Dec. 3rd. Everything has changed… just as we promised. 🙂


My hope with this announcement is some sort of projection system that will allow all this wonderous resolution to do some good.  Jannard went on to say,
The 13th was insignificant…


What could possibly make the 13th insignificant…?  Not really sure.  I don’t think they would try and top the announcement of the new modular system, but simply create something that would complement or accessorize it.

We’ll wait and see in another week!

RED: A Truly "EPIC" Announcement

I’ve got to tell you, I’ve been waiting for this ever since rumors started to swirl a few months back. Today RED announced a new camera system that should completely revolutionize the film/tv/photography industries. The DSMC (Digital Still and Motion Camera) system, it utilizes a completely modular design allowing the user to not only customize the system to suit their needs, but also replace/upgrade pieces as they are released, needed, or as funds are available.

The core of the new setup are these new mysterium based sensor blocks, called “brains”. These “brains” are physically simlilar, but are made up of different sensor sizes, frame rate capabilities, and lens mount options. The sensor resolutions range from a new 2/3″ 3k Mysterium-x (sub-$2500) all the way to this unfathomable, 186x56mm 28k (yes, 28000 x 9334 pixels) Mysterium-Monstro, with 6 other configurations in between. Outside of the sensor block are numerous options that can be attached to the rig, including a new 1080p viewfinder, DSMC I/O plate (with timecode syncs, xlr jacks, and dual-link HD-SDI monitoring), and REDhandle (a new DSLR style grip that can not only power the camera but gives the user various camera specific controls right at their fingertips).
The camera can be setup in a near infinite number of variations from a DSLR rig to purpose built film camera.

This is the most well thought out project I’ve ever seen. They’re really putting the creativity back into the user’s hands and allowing them the possibilities to do anything. Can’t wait for them to release this.

[Images via Engadget]

No Firewire On New Macbooks

This was the latest buzz last week after Apple’s Oct. 14th laptop event. Apple has opted to leave out firewire from it’s consumer level Macbook laptop, allowing it to only be present on the higher-end Macbook Pro variant.

I had to post something regarding this topic, as this doesn’t just hit close to home…this smacks home upside the face with a dumbstick. Apparently apple’s stance is apple creatith, thus apple can taketh away. Though I pray the sole reason behind’s apple’s latest disappointing odd product release feature set is to better differentiate the two computer models. Regardless, I think this is a very bad move on apple’s side. The Macbook has been for the most part, a smaller computer physically yet always very capable. It has been a go to computer for users that require a smaller footprint for either travel or otherwise. I mean, have you ever tried to open up a 15″ let alone a 17″ Apple laptop on a plane in coach, not happenin’.

The lack of firewire directly effects people that utilize many of the current devices in multimedia fields. External hard drives, DV decks/camcorders, HDV decks/camcorders are all useless now when paired with the new Macbook. The only element that I can think of that can save some people is many of Lacie’s hard drives have a triple or even quad interface consisting of USB 2.0, Firewire 400 & 800, and SATA. So what are professionals, whose HDV cameras and decks use only firewire to export their footage digitally supposed to do? Well apple doesn’t have an answer it seems. They’ve reportedly deleted any thread on their support page regarding the subject and their only response is that firewire is gone and most of the new devices all use USB now. How are video editors using a Macbook supposed to daisy chain a USB drive to another without a hub…and then add on a camera to that to capture footage. They can’t, and are left to flutter in the wind. There is even an online petition asking Apple to think again and fix the issue, giving Macbooks back a firewire port.

I think apple’s only option and it would be a very good option, is to re-release a new smaller 12″ or 13″ Macbook Pro. Similar to the 12″ Powerbook of the past, this would help address the price difference between the two model lines and would give users that need a more portable computing solution somewhere to look. We’ll just have to wait and see, and I’m no rumor guru. I have yet to read anything regarding such a speculation…and in fact it seems very unlikely considering the unsuccessful sales of the previous 12″ Powerbook. But whatever, in my opinion it’s Apple’s only way to fix the current situation it’s caused.

P.S. I love apple, and probably always will…but sometimes and more often lately, they’ve really shocked me.