I preordered the Canon SL1 towards the end of March. The original release date on BestBuy’s site was April 28. It was bumped back to May 3 a few weeks ago and the that day has finally arrived.
I made a trip to San Francisco in the beginning of March for a vacation. Even during the planning stage for the trip I was beginning to dread taking my heavy 60D with me. I did end up taking it, without the grip and with only the 28-135mm kit lens. And while I appreciated the speed and incredibly sharper and more dynamic images than that of my iPhone 5, I hated the weight of it. By the end of the trip I was already researching mirror-less camera options to sub in for my 60D for my next excursion. Continue reading “Bye Bye, Canon EOS-M”
We had a visitor today. Canon! Robert, my boss, just happens to be friends with Mark Karwisch, the Southeastern Broadcast Account Manager at Canon U.S.A. He made the trip down to our office and brought with him a few toys for us to look over. Let’s see here… the XA10, XF105, XF305, 5D Mark III, and the C300. The C300 is the one we’ve been waiting for and I hadn’t had a chance to go hands-on with one yet.
We’ve been looking for something that is a little easier on the workflow than the current HDSLR’s we’ve been shooting with. Ever since this camera was announced, it’s been gaining more and more of my interest, especially with all the positive reviews that have come down the pipe. I’m tired of syncing audio, i’m tired of the tiny LCD screen, and i’m tired of the limited record time. I’m not going to go into details as to the pro’s and con’s of this camera, all I can say is that this exactly what I need to solve the issues that I’m tired of dealing with. Time will tell if we end up getting one or justifying the cost of ownership vs just renting. But I definitely appreciate Mark taking the time to come out and show us the latest goodies that Canon is offering.
Two of the vignettes have been posted…
The Classified Series from Lowepro is their attempt to create a more discrete bag for the photojournalists/travelers around the world. Features like the discrete Lowepro logo and more traditional bag shape and colors help to achieve this goal, but it’s not a miracle bag. It’s real potential lies in how easy it is to access your camera in a hurry and also return it to the bag covertly.
Let’s talk about the bag size first. The 160 AW dimensions are listed by Lowepro as 13.4W X 8.9D X 14H in. In actuality the bag (fully loaded) is more like 11.5W X 9D X 12H in. The height is from the top of the bag not the top of the carry handle and the width is with the “bull horns” tucked away. So this is a relatively small bag, especially when sitting next to the much larger 200 and even bigger 250.
As with all Lowepro products, the quality is impeccable. Quality metal d-rings, swivel clasps, webbing, and stitching. The only drawback I could find on this topic is on the all weather cover. The actual seams where the waterproof fabric is sewn together, are not taped shut. Though unlikely, in a heavy down pour, water could get through. But it would also have to find its way through the rest of the bag to get to the camera/equipment. But on a good note, the small slits on the side of the AW cover where the shoulder strap d-rings poke through, are taped to prevent tearing of the fabric.
The outermost is covered by a velcro flap. The flap has a nice see-through vinyl window to keep business cards or ID visible when needed. Lift the flap and you’ll find a very versatile pocket with pen holder loops and another small sewn in drop pocket for coins, headphones or other small items.
The last pocket is a zippered pocket on the back of the bag, meant for relatively thin/flat items you need to carry. I suggest this only because it’s the side of the bag that will be resting on you. No need to be poked every time the bag swings into you or across you.
Inside the main compartment are a few dividers that are customizable with the standard Lowepro velcro system. Two of the dividers are topped with a nice protective leather accent. And they’re also shaped to allow room for the bulky bottoms of larger cameras like the D3, Canon 1Ds, or cameras with a vertical battery grip.
I was able to fit my ultrapod, SB-600 Flash, Tokina 11-16mm, 18-105mm, and D90 with 70-200mm f/2.8 mounted, into the main compartment the other weekend. This was in part, thanks to the expandable bellows that allow more storage space inside. There’s a large zipper just behind the two front pockets that allows for the expansion.
My complaints with the bag are minuscule. The shoulder pad on the strap, as others have mentioned in their reviews, doesn’t slide. It’s stitched to the webbing and doesn’t allow the bag to be swung back and forth to gain access to your gear. Between that and the lack of taped seams on the AW cover, this bag is hard to complain about. It works great in the field, great for travel or around town and is built like a tank.
Formula D was last weekend in Atlanta, Ga. I decided to rent a Nikon 70-200mm f/2.8 and see what I could get. The pics turned out well. Still need a lot of practice to get the panning down but I’ll get it. The pics were edited in Aperture using Nik Color FX Pro, Sharpener Pro, and Dfine. Enjoy
Well I’m a bit slow to get these posted. I took a little overnight trip to see some friends in Alabama just before Christmas ’08. And since we are all car guys, we got together and did a little photo shoot at a local backlot skate park. All shot with the Nikon D90. Enjoy!