Tag: lighting

Headshots

An opportunity came up from my friend and photographer, Bill Manning. Bill had recently gained access to some studio space in Downtown Atlanta and wanted to experiment with new lighting techniques. I put a bug in his ear that if there were ever some time he needed to mess around with gear or lighting, etc. to give me a call cause I would love to get some nice headshots done. The time had arrived.

Despite some complications in the scheduling of the studio, we made it work. All in all, we spent 3 or so hours with setup and takedown and came out with some really nice digital and film shots. Bill is a Nikon guy, which I tend to hold against him, but I know they make just as good of a camera as the competition. He has also ran through some film on his Mamiya medium format camera. We bounced lighting ideas back and forth and played around with different light reflectors and diffusers. It was a really good experience.

If you need portraits done, give him a call! http://www.billmanningphotography.com

keegan-hs-1_4000

Journey To Moab Update

Last weekend, the members of Peach State Overland present for the Moab trip this past spring were able to get together so we could shoot the interview portion of our upcoming docu-series. It was a long 12hr day, not including setup and take down. Here’s a breakdown of what we did:

Lighting: I ended up doing a 2 light setup with a 500 watt Lowel Omni as the key light on the short side of the face and white bounce disk for the fill on the long camera side of the face. All lights needed a blue gel to try and get close to the fluorescents that lit the rig in the background. I used a Lowel Pro-light in the back for a hair light. All in all, it was probably a bit too dramatic of a look, but it still worked.

IMG_6968

Camera/Audio: My friend Ryan Basler ran camera for me, specifically my trusty 60D and newer SL1, while I interviewed and ran audio on the Zoom H4n. We used a Sennheiser wireless lavalier and Audio Technica shotgun mic on a boom for audio.

I think we ended up with roughly 5-6hrs of interview footage to tell the story of the trip. I don’t have a full story arc planned out yet, so I ended up getting everyone to walk me through the trip in their own words. During the edit I will use bits and chunks of various interviews to stitch together a more encompassing trip report. While a lot of the interviews are repetitious, there are unique perspectives and stories that standout. These, I hope, will give some ups and downs to the arc in order to keep people watching.

This is my first attempt at a production of this scale so I’m learning as I go. There is 10 days worth of various footage, candid self-interviews, driving b-roll, landscapes, time-lapses, etc. At least interviews are second nature to me. This fact both worries me and puts me at ease, as I wonder if I could be doing something better…er, different. Maybe asking different questions or doing something different with lighting or camera angles, while still knowing that I can at least knock them out with some proficiency. I’m still wondering how to format it all, 5-10min parts, maybe longer but fewer parts, maybe one long feature.