Formula D Atlanta 2009 – by Will Roegge

Posted in Stuff on May 29th, 2009 by Kevin

Formula D Atlanta 2009 from Will Roegge on Vimeo.

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Memorial Day Weekend Photos

Posted in My Work on May 26th, 2009 by Kevin


Stumphouse Tunnel
Originally uploaded by kevinkeeganpro

Some fun stuff from the weekend including a few macro’s with my new 50mm f/1.8D.

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Formula D Media Coverage – No Cell Phone Cameras

Posted in My Work, Technology on May 22nd, 2009 by Kevin

The few times that I’ve attended Formula D events as part of the press, the officials there always stated that they want to see real deal cameras out there. This means no cell phone cameras or point-n-shoots. They have their reasons for saying that I guess. But I’m not clear on what they are and I’ve never tried to challenge them on this. I have always used prosumer/professional equipment at the events regardless. Well times are changing. Print media isn’t necessarily dying, but web media is definitely on the rise. With many of the automobile based magazines shutting down their operations, web media is the consumer’s only alternative to get the information that they crave. E-zines and blogs, like WreckedMagazine.com and Speedhunters.com are fast becoming the go-to outlet for drifting and other motorsports coverage.

So, how does this relate to Formula D’s media rules?

The Internet generation wants their information fast, really fast. To me, this means that technology to get that information published quickly, needs to be utilized to its fullest potential. But this doesn’t mean the coverage can lack quality. Typical equipment for shooting a Formula D event could be a digital video camera (at least something from the prosumer class) and/or DSLR. Turn around time can be quick if done correctly. Usually media, whether it be video or stills, can be posted that night, after the event. But the current trend across the Internet is moving towards real time. People want streams of video, status updates of their friends, and instant news coverage reported live, as it happens. So how do you accomplish that? New technologies/services such as Twitter, allow websites to publish short 140 character headlines and other facts in real time, as they happen. A blog can be set to import this Twitter feed along with anyone else using certain key words, such as #FD or #FormulaD. This not only allows the authors of the website/blog to contribute, but also allows anyone with a cellphone or laptop attending the event to collaborate via text, images, or URL links, current happenings from their point of view as they occur.

The future also holds a number of great things for real-time streaming media. The revolutionary Apple iPhone is set to enter its 3rd generation this summer and it promises to be quite a leap forward. Rumored specifics as to the devices capabilities include shooting video as well as an industry first, basic video editing within the device. Imagine the possibilities that this kind of tech could open up for journalists alone.

Another potential packed technology is the Eye-fi SD card. This card can auto upload photos from a digital camera via Wifi hotspot connections. Combine this with Verizon’s new Mifi 3G portable wifi router and an amazing point-n-shoot like the Canon G10 Powershot, and you can produce fantastic images and have the ability to upload those high quality photos in near real time.

On my last trip to LA for FD Irwindale, I was toting around a Canon GL2, Nikon D90, and my blackberry curve. I shot video of drift runs first, waiting for something to report on, then shot high quality stills, and then a secondary shot with my curve to post to Wrecked Magazines Twitter feed. All very important to the success of the story. A reminder though, technology is useless without the knowledge of how and when to utilize it. It is merely a tool though, you still need to be able to tell a story. That is the root of all journalism. And by no means should this new technology replace tried and true approaches and outlets. The need for a solid flow of well written articles, quality edited video and sharp photographs published or broadcast in a timely manner, will never run dry. But with the additional need to be the first on the scene with current events, it is definitely worth it to invest in another hand or person to report via these new tools.

Formula D is going to have to change the way they look at media coverage as a whole if they plan on getting the most out of it. Cell phones, as well as point-n-shoots are becoming perfectly capable for the production of the futures web-based media.

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Lowepro Classified 160 AW Review

Posted in Reviews on May 20th, 2009 by Kevin


First off, there are a lot of great reviews of this particular bag out there on the interwebz. So I’m going to go over some of the same stuff and also some things that I haven’t seen mentioned.


The Classified Series from Lowepro is their attempt to create a more discrete bag for the photojournalists/travelers around the world. Features like the discrete Lowepro logo and more traditional bag shape and colors help to achieve this goal, but it’s not a miracle bag. It’s real potential lies in how easy it is to access your camera in a hurry and also return it to the bag covertly.

It’s available in 5 different bag sizes now ranging from the brand new Classified 100 AW Kit (basically a travel size pouch for a notebook and some other things and also two new attachable pouches “35″ and “30″), 140 AW, 160 AW, 200 AW, and 250 AW (the largest bag, which also can hold a 15″ notebook computer).


Let’s talk about the bag size first. The 160 AW dimensions are listed by Lowepro as 13.4W X 8.9D X 14H in. In actuality the bag (fully loaded) is more like 11.5W X 9D X 12H in. The height is from the top of the bag not the top of the carry handle and the width is with the “bull horns” tucked away. So this is a relatively small bag, especially when sitting next to the much larger 200 and even bigger 250.


As with all Lowepro products, the quality is impeccable. Quality metal d-rings, swivel clasps, webbing, and stitching. The only drawback I could find on this topic is on the all weather cover. The actual seams where the waterproof fabric is sewn together, are not taped shut. Though unlikely, in a heavy down pour, water could get through. But it would also have to find its way through the rest of the bag to get to the camera/equipment. But on a good note, the small slits on the side of the AW cover where the shoulder strap d-rings poke through, are taped to prevent tearing of the fabric.

Pockets. The bag has 3 external pockets. The two front pockets are underneath the main flap.


The outermost is covered by a velcro flap. The flap has a nice see-through vinyl window to keep business cards or ID visible when needed. Lift the flap and you’ll find a very versatile pocket with pen holder loops and another small sewn in drop pocket for coins, headphones or other small items.

Next is the larger drop pocket. Inside is a nice tether and clip for keys etc. and also the included memory card wallet.


There’s also a little pocket that is accessible on the front even with the main flap buckled closed.


The last pocket is a zippered pocket on the back of the bag, meant for relatively thin/flat items you need to carry. I suggest this only because it’s the side of the bag that will be resting on you. No need to be poked every time the bag swings into you or across you.
There are 3 slip lock loops on the bag, one on the front (is the leather loop the Lowepro logo is pressed into) and two on the sides just below the d-rings where the shoulder strap attaches.


Inside the main compartment are a few dividers that are customizable with the standard Lowepro velcro system. Two of the dividers are topped with a nice protective leather accent. And they’re also shaped to allow room for the bulky bottoms of larger cameras like the D3, Canon 1Ds, or cameras with a vertical battery grip.


They also threw in a handy micro-fiber cloth to clean a lens with and also lay across LCD screens to protect them. The cloth is stowed away in a nice mesh velcro pouch until it’s needed.

*The cloth is kind of short. So if you attach it to a divider on the right of the camera it probably won’t be able to cover the whole LCD screen. You’re better off velcro’ing the mesh pouch on the left side of the camera. Unlike what I did.


I was able to fit my ultrapod, SB-600 Flash, Tokina 11-16mm, 18-105mm, and D90 with 70-200mm f/2.8 mounted, into the main compartment the other weekend. This was in part, thanks to the expandable bellows that allow more storage space inside. There’s a large zipper just behind the two front pockets that allows for the expansion.

Here’s everything that I carry in the bag most of the time:



My complaints with the bag are minuscule. The shoulder pad on the strap, as others have mentioned in their reviews, doesn’t slide. It’s stitched to the webbing and doesn’t allow the bag to be swung back and forth to gain access to your gear. Between that and the lack of taped seams on the AW cover, this bag is hard to complain about. It works great in the field, great for travel or around town and is built like a tank.

I picked mine up off eBay for around $110 at the time this is being written.
Update: Got a real chance to use this bag during the Memorial Day weekend. This thing is great. It rained a lot and had to use the rain cover on a few occasions with fantastic results. Getting to gear and changing lens was really easy as was concealing it quickly. And in my Fiance’s opinion looks good wearing it around.
Also at work here, a co-worker saw my bag and proceeded to make fun of it, calling it a man purse…chuckle chuckle. I then told her it was my camera bag, to which she replied, “That doesn’t look like any camera bag I’ve ever seen.” That pretty much sells the thing in my opinion, very discreet indeed.
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Formula D Long Beach 2009 – by Will Roegge

Posted in Stuff on May 19th, 2009 by Kevin

Formula D Long Beach 2009 from Will Roegge on Vimeo.

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Formula D Atlanta ’09 Pics

Posted in My Work on May 15th, 2009 by Kevin


Rhys Millen
Originally uploaded by kevinkeeganpro

Formula D was last weekend in Atlanta, Ga. I decided to rent a Nikon 70-200mm f/2.8 and see what I could get. The pics turned out well. Still need a lot of practice to get the panning down but I’ll get it. The pics were edited in Aperture using Nik Color FX Pro, Sharpener Pro, and Dfine. Enjoy

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The top 5 things I’m waiting for the most…(technology) Updated

Posted in Technology on May 15th, 2009 by Kevin
  • Forza Motorsports 3 (360)
  • A portable touchscreen Apple tablet/computer
  • New iPod Touch model (possible with camera)
  • The Blackberry 9630 to be released on Verizon
  • Nikon D90 Firmware update
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BlackRapid FastenR-2 Review

Posted in Reviews on May 12th, 2009 by Kevin



I just received my FastenR-2 from Blackrapid. It’s of simple construction, a threaded bolt, stainless steel puck with a hole drilled in each side and a d-ring that pivots within the holes.

Upon inspecting the piece, I was slightly concerned, wondering if this d-ring was really going to be any stronger than the one on the Bogen quick release.
Well it definitely appeared to be, and more so, I’ve tried to pull the thing apart with my leatherman pliers and the d-ring won’t budge. Very nice. I’m not sure how far the ends of the d-ring go into the steel puck, but regardless it’s pretty stout.
My second concern was with the length of the threads. The new fastenR-2 appears to have a shorter bolt than the older version. Removing the rubber washer and installing the FR-2 onto my D90 displayed that BlackRapid engineered this new design quite well. It left just enough space to squeeze the rubber washer good and tight after the bolt bottomed out in the tripod socket.
I had to really tighten the FasternR-2 down to feel confident that it wouldn’t start backing out. It’s a different feeling than the old version, where when you loosened the bolt it kind of just broke loose all of a sudden. You have to realize how far the bolt can go in and know that the rubber can be compressed that much. Once it’s tight enough, the rubber washer actually keeps the bolt from loosening. Here are some comparison shots of the new with the old FastenR.

The new unit, as you can see, is much more compact. Allowing for much more dexterity when handling your camera, setting it down, or packing it in a bag.

I have yet to actually use the new version on while shooting, but so far it seems to be a great redesign.
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